Electronic drums, sometimes called e-kits or electric drums, have also evolved significantly over the past decades. They are closer to what an acoustic drum box feels like now than they were in the past ten years. Electronic drum kits are available to suit all kinds of musicians, especially those who still plan to take music lessons. You may find it necessary to train at home but not make too much noise.
Perhaps you are a professional drummer and need stability, consistency, sound regulation, whether performing on stage or recording in a studio. You will find a package that suits your needs. Traditional percussionists might have to adjust their playing style due to a variety of problems. Electronic drumming can be very different. There are ways to reduce the differences and make the transition smoother. You can view more ideas on Zero to Drum Facebook.
Sound Presence
Acoustic drummers are often confused by electronic percussion because the sounds they produce emanate from distant sources, such as a house sound system or stage monitor. You’re sitting at an acoustic drum set, right above the sounds, with the sound “in your face.” With electronic percussion, you can hear the output from speakers that are often many feet away.
This is a new experience for keyboard and guitar players. A sound monitor system is essential to give you a feeling of presence. You don’t have to use a loud monitor system. Small monitors can fit in your setup and be mounted on a stand.
Latency
MIDI can handle several hundred notes per second. You might still experience delayed responses when using an electronic pad. Psychoacoustic is part of the delay between sound and attack. It takes some time to get used to this.
Pad Feel
Mesh heads and rubber pads have different stick responses than percussion instruments, cymbals, or acoustic drum heads. Rubber pads feel like a “practice pad.” You will need to adjust the dynamics of rubber pads. Their identical rebound characteristics between pads and pads are not like those you experience in toms where head tensions vary. Mesh heads can be adjusted to different tensions and have more “give” when struck. You can also use them to create new ideas.
Dynamic Response
Percussion instruments come in a variety of volumes. It has been challenging to translate this dynamic range into electronic pads. This is due to the inability of sound modules to handle the signals from pads. The MIDI standard 0 (silent) to 127 (maximum speed) limits most modules’ dynamic range. Many drummers don’t know that most modules can be adjusted for velocity and sensitivity. This allows you to have a more versatile kit.
Striking Techniques
Percussionists are particularly affected by this. It’s impossible to play the conga drum using your hands or strike a pad with a stick. For example, guiro is a game where you slide a bar across the notches at different speeds and tensions. It can be confusing to hit a pad and hear the whole guiro …
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